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Anne drops off Alice at school, and she really likes the fact that her daughter has befriended nerds. After she wakes up, Sloane rings her about the cover reveal, and she asks to keep her friend’s mouth shut. To begin the finale, Kate (played by Catherine Reitman) wakes up from a bad dream where Anne played by Dani Kind) points a gun at her and shoots her she’s clearly feeling guilty with all the book launch issues. That their stories are at the forefront is so important.Workin’ Moms always has a habit of ending a season where it hints that the characters need to embrace new changes, and it works because it seals the expectations for the next season. Colorism is real, dark-skinned Latinos aren’t given leading roles. The film that we made was really strong and John Chu had a beautiful vision for the film, but I absolutely understand why the casting of “In the Heights” gave the Black Latino community an issue. “Encanto” does an amazing job of celebrating the fact that Latinidad does not look one way. Given that “Encanto” features a racially diverse cast of Latino characters, I wonder what your thoughts were on the colorism controversy around “In the Heights” ? My sister and I would get ready for school around 5 a.m.
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But then I was also heavily influenced by “Sailor Moon,” which was on TV early in the morning in Texas.
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Also, the “Batman” animated series with Mark Hamill as the Joker. I loved Tom and Jerry, the eternal battle of good and evil. I watched a ton of stuff: “Animaniacs,” the old Road Runner and Bugs Bunny cartoons. Gutiérrez’s Mesoamerican-set animated epic “Maya and the Three”?īesides the Disney classics, what cartoons were you watching on TV as a kid? What excited you about voicing Chimi, a character with a traumatic past, in Jorge R. I’ve been very lucky in that it has been a big part of what I’ve done and that it was something that I could continue doing over the last two years during this global pandemic.
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When you’re in that recording booth, you close your eyes, and you follow the lead of the animators and the director. Your face is not the most important part, and your imagination has no bounds. Voice work is one of the only places where it really doesn’t matter what you look like, meaning that you can suddenly become a toucan or a princess or a monster. You’ve found a career in voice performance for popular animated series such as “Bob’s Burgers” and “BoJack Horseman.” What do you enjoy most about this work? It was Mirabel, and that was very freeing and fun. There wasn’t some other character doing sight or audio jokes. Mirabel sometimes is the sidekick and the therapist for her family. Unlike so many Disney heroes, she doesn’t have a sidekick to guide her through the story. It’s up to her to make sure that her needs are getting taken care of, and with that comes a level of maturity. We discussed how she’s often had to take care of herself because there are so many stars in her family. But the directors pushed me toward making her sound more mature. I originally thought that she should sound younger, and I was leaning into a higher pitch. Tell me about the process of finding and creating Mirabel’s voice for “Encanto.”